A theory of virtual personality
By Mary an Percy Shelley
1. Have a conception. When you are going to create a
VP, think what you are going to do with it. Do you have any ideas or moods that
are different from what you have demonstrated before? It is rather silly to make
VP only to express through it your habitual thought – you can well do this
under your usual name.
2. The name is essential. It is said that
the appetite comes with eating. This is not true. The appetite comes when you
see a sign of restaurant. Look at these names: “Aleksander
Sergeyevich”, “The Widow”, “Lunokhod 2”. Do you
feel that the name determine... practically everything? It is unlikely that an
article signed by “Andrej Sokolov” would be read by people at all.
Therefore, relax and ponder upon what name should be given to your VP. After the
name is chosen, all the rest (from the wish of saying foul to hard mental
disorders) will follow automatically.
3. Create the unique thing.
Try to make your VP dissimilar to others. It is essentially this what determine
to what extent your VP is a Personality. Every new VP should deny or supplement
the principles that were used to create preceding VPs (or even preceding
generations of VPs). Use the inversion method: locate some universal principle
and realize its antithesis.
The stereotype (the old principle): VP is
created by one person who is its only master over all its life.
The
inversion: VP is created and governed by a group of people or the control over
it passes every time to a new master.
4. Don’t invent one too
many. All great VPs have been created before you. Look at the examples in
literature, especially in English and American literature of 18th and
19th centuries. The two main archetypes were described in one of the
short stories by Edgar Poe: a fatal woman whose face has never seen by anybody
and a man who is a noble robber and who cannot be caught. There are other
classical types. Chose one of such archetypes and develop it. Make it evident
that it is a living and acting person rather than mere literary character.
5. Remember Stanislavski. Identify yourself with your VP and use
its language. Never think like this: ‘I will say that and sign as the
Hound of the Baskervilles’. Think like this: ‘What the Hound of the
Baskervilles would say, if it were in my position?’ Take into account
everything: the language of the social class to which your character belongs,
his religion and his maladies, his tastes and style. Consider these limitations
as the walls within which you should to settle down and don’t worry about
the door.
6. Don’t get overheated. If you get easily into
the role of your VP and freely abandon it, never get confused and sometimes even
don’t remember what you were doing in the role of VP, our congratulations:
you have schizophrenia! We recommend choosing clinics in the places with mild
climate: Bakchisarai, Baden-Baden, or Borneo.
7. The power is in the
details. Remember that ketchup is a more dreadful drug than heroin: if
heroin was suddenly disappeared from Moscow, only a few thousand of drug addict
will suffer, but it the ketchup was disappeared... imagine what will happen!
Therefore, don’t try to be extravagant – all what is genial is
simple. Learn to supply your VP with fine, natural details used as if in
passing. Describe as if accidentally the building of the University of Tartu,
use a few special words characteristic for some area and you can link your VP
(and those who observe it) to the places where you have never been. In the same
way the linkage to a profession, age and so forth can be made.
8. Your deeds are your evidence. Don’t try to prove the
reality of your VP by any “documentary evidence”. In the age of high
technologies, nobody can be sold by the “honestly scanned passport”
or “unique electronic signature/address”. However, if your VP
creates regularly something impressive – not even necessarily very
talented – the observers will have no doubts its existence.
9.
Don’t kick against the pricks. It is said that every criminal go back
to the place where he has committed the crime. The creator of VP often feels
temptation to expose himself: to debate with its own VP or to rejoice its
achievement with everybody else. Keep this desire in – don’t show
yourself when it is not necessary. Don’t let also to be involved in long
discussions with a number of people at the same time or in complex relationships
when you become bounded by promises. Sometimes the silence of man, its
unexpected disappearance is more of benefit because it provides a sense of
mystery.
10. Prevent unmasking. Attempts to unmask your VP will
begin some time or other, therefore, it is better to take this process under
your control from the very beginning. “Unmask” your VP yourselves
– predict the time of the possible attack and do it ahead of others,
soften the attack and warding it off your VP. The more subtle method is to
create a Virtual Unmasker along with the creation of VP. If even of these VP is
disclosed, the other will remain with you and it will have the alibi of the
winner. It is also possible to use more complicated methods of withdrawal (see
paragraph 3 about the assignation to another master).
11. Have you
failed? – Don’t worry. Consider this a rehearsal, a draft.
Analyse your mistakes and go on further, to a more perfect VP. Your ideal is
Virtual Personality that will live through the ages even when your mortal body
that has devoted to it all its time and energy is decayed in the grave.
12. Look round in time. The weak real personality will never
create a strong virtual one (the reverse is not true). If you succeeded in
creation of a strong VP, you possibly have to try yourself in the other creative
environment as well, such as skydiving, wild hive beekeeping, or work as a
kindergartener.
13. Never use all these pieces of advice at once.
Chose a few of them – for example, only even or odd ones. Alternatively,
simply chose from five to seven pieces of advice at random. As a random number
generator, the wristwatch can be used.
From M. & P. Shelley's novel Pautina (The Web).
Translated from Russian by Eugene Gorny.
Original text is available at http://www.fuga.ru/shelley/pautina/p4.htm.
Send your comments to gorny at list.ru